COLOMBIA: An artist using clay figures to tell the stories of real people – stories of homelessness and social invisibility.
BRAZIL: Evocative images of the rural and indigenous peoples of this vast country, captured by one of its most distinguished visual poets.
USA: Emerging from person crisis, these images unfold a domestic conversation around the paradox of family ties and the quest for redemption.
COLOMBIA: In addressing the trauma resulting from the ongoing multilateral armed conflict in her country, Erika Diettes focuses not on violence but on bearing witness to the grief of survivors.
MEXICO: conceptual and performative images that capture the physical nature and metaphysical possibility of deserts around the world.
ARGENTINA: The museum revealed as a place of haunting apparitions. Or is it we who are more truly ghosts in the museum…?
BRAZIL: Spectacular images that extend the concepts of time, space and perspective to explore the complex and multifarious nature of our contemporary world.
INTERNATIONAL: Impressions of Christmas and the New Year through the kaleidoscopic lens of artists from Asia, the Americas, Europe and Oceania.
LATIN AMERICA: Three Latino artists of Japanese heritage spend a month photographing in the Land of the Rising Sun. What will their images tell us about their identity?
LATINOAMÉRICA: Tres artistas latinoamericanos de origen japonés pasan un mes fotografiando la Tierra del Sol Naciente. ¿Qué nos dirán sus imágenes acerca de su identidad?
USA: Employing the symbolic and physical qualities of water, Wendy Sacks makes photographs that speak of the complex nature of human relationships, both light and dark.
ARGENTINA: A nocturnal explorer who seeks to communicate the richness of everyday lives and the profound histories of ordinary people.
MEXICO: Dulce Pinzón creates latter-day visual fables that address real social issues: racial prejudice, low-paid workers, environmental damage.
USA: Kirk Crippens explores the tension between the American Dream of home and increasing precarity – gentrification, downsizing and foreclosure – but also the haven of the unorthodox.
VENEZUELA: Images evoking the powerful mythologies of the indigenous peoples of the southern Americas that emphasise the interdependence of humankind and Nature.
USA: Ellen Jantzen uses digital imaging processes to synthesise a visual language through which to evoke the existential conundrums of our place in Nature and the impermanence of life.
CANADA: Combining humour with cultural critique; history with psychology, Diana Thorneycroft constructs visual stories of the anxiety and contradiction embedded in the dark subsoil of Canadian national mythology.
ARGENTINA: An artist and inventor who builds cameras to capture both space and time: from brooding art deco architecture to mind-bending aerial imagery and the world’s longest continuous photographic negative.
USA: Few recent cultural initiatives have had more impact in the world of photography than Houston FotoFest, with its multi-layered approach to the medium as a means to an end and not just an end in itself.
GUATEMALA: Luis González Palma’s grew up during thirty years of civil war, but while his images evoke sadness, they neither sentimentalise nor do they counsel despair. Rather they affirm the transcendent nature of the human spirit.
BRAZIL: a festival pioneering the use of screen-based technologies to reach out from the metropolitan art institutions to engage with communities in the poorest districts of the urban margins: to engage, to educate and to empower.
ARGENTINA: One of the world’s longest running photographic festivals, Festival de la Luz it is both a celebration of photography as a means of enlightenment and an egalitarian meeting of diverse people and cultures.
USA: Repurposing their household possession to create a mandala or build a spaceship, Stephan Hillerbrand and Mary Magsamen use photography, video, performance and installation to explore the paradoxes of the American Dream.
ARGENTINA: Memories of the Dirty War starkly visualised by one of the survivors of the regime’s Clandestine Centres of Detention and Torture.
URUGUAY: An artist, chemist, craftsman, essayist, poet, and teacher, who imbues photography with a newfound physical and philosophical dimension.
PERU: Art and Nature entangle the body in images that speak of the camouflage adopted by an outsider.
MEXICO: Stories of an irrepressible archaeology and exhausted modernism; of rampant urban expansion and sublime natural grandeur.
EDUCATIONAL RESOURCE: Talking Pictures features in-depth interviews with photographers and photo-festival directors around the world.
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