FINLAND / USA: After five decades re-imagining his body as something malleable and re-interpretable, Arno Rafael Minkkinen’s images remain as vital as those of his youth, and as refreshingly original.
Category Archive: Americas
I turn people into human beings by not making them into gods.
Imogen Cunningham
CANADA: Delicate still-life images that capture a sense of tranquillity while celebrating the small and fleeting things in life.
TAIWAN / USA: Haunting images inspired by the migrant’s ongoing negotiation of memory, perception, and identity.
USA: One woman’s experience of the stifling control of a patriarchal religious fundamentalism and the processes of artmaking that helped her escape.
CHINA / USA: Delicately ambiguous self-portraits exploring the tension between freedom and boundaries, self-reflection and self-discovery.
MEXICO: Named one of the top twenty talents worldwide by FOAM magazine, Diego Moreno’s monsters have much to show us about familial love and about domestic abuse.
USA: A mother’s delicate reflections on masculinity within the everyday intimacy of family life as boys become men and men become middle-aged.
ARGENTINA: The sensibilities of painting and the techniques of photography blend to create an ironic but strangely familiar magic realism.
BRAZIL: Turning a compassionate eye on rural and remote medicine to capture the kindness, dedication, and empathy of healthcare workers as they transcend the most challenging circumstances.
Seeing is not as simple as looking.
Joseph Kosuth
CANADA: With well over 100,000 images and millions of possible interconnections, Luminous-Lint offers a near-infinite range of ways to pursue the study of photographic history.
USA: Patty Carroll’s ‘Anonymous Women’ parody and personify the frenetic consumerism and suffocating domesticity of ‘idealised’ notions of femininity promoted in the post-war era.
USA: Past and present converse in an archive of American life shot from a refreshingly tangential perspective.
CANADA / USA: Temporary sculptures created by balancing stones with nothing more than gravity to hold them together.
Without deviations from the norm, progress is not possible.
Frank Zappa
USA: With an emphasis on the dignity of all living things, these lo-fi collage works seek to emphasise harmony and our shared human nature, free from judgement.
MEXICO: The fluidity of domestic intimacy explored through the lens of childhood imagination and transformational community ritual.
INTERNATIONAL: Nine photographic artists from across five continents reflect on what motivates them to create photographs.
URUGUAY: Delicately poetic images printed sustainably without inks or chemicals, using naturally occurring plant materials.
USA / CANADA: A visual ethnographer, Dona Schwartz photographs expectant parents and empty-nesters marking those moments when each couple stands outside the gates of family life.
The truth will set you free, but first it will piss you off.
Gloria Steinem
MEXICO: Obscure rituals that blend the contemporary with the timeless, the personal with the collective, to suggest imaginary states and real-world paradoxes.
USA: Timeless portraits made in collaboration with the inmates of three penitentiaries in the northeast of Louisiana, the US state with the largest per capita prison population.
PERU: Art and Nature entangle the body in images that speak of the camouflage adopted by an outsider.
A photograph is a secret about a secret. The more it tells you the less you know.
Diane Arbus
COLOMBIA: An artist using clay figures to tell the stories of real people – stories of homelessness and social invisibility.
BRAZIL: Evocative images of the rural and indigenous peoples of this vast country, captured by one of its most distinguished visual poets.
USA: Emerging from person crisis, these images unfold a domestic conversation around the paradox of family ties and the quest for redemption.
COLOMBIA: In addressing the trauma resulting from the ongoing multilateral armed conflict in her country, Erika Diettes focuses not on violence but on bearing witness to the grief of survivors.
MEXICO: conceptual and performative images that capture the physical nature and metaphysical possibility of deserts around the world.
ARGENTINA: The museum revealed as a place of haunting apparitions. Or is it we who are more truly ghosts in the museum…?
BRAZIL: Spectacular images that extend the concepts of time, space and perspective to explore the complex and multifarious nature of our contemporary world.
INTERNATIONAL: Impressions of Christmas and the New Year through the kaleidoscopic lens of artists from Asia, the Americas, Europe and Oceania.
LATIN AMERICA: Three Latino artists of Japanese heritage spend a month photographing in the Land of the Rising Sun. What will their images tell us about their identity?
LATINOAMÉRICA: Tres artistas latinoamericanos de origen japonés pasan un mes fotografiando la Tierra del Sol Naciente. ¿Qué nos dirán sus imágenes acerca de su identidad?
USA: Employing the symbolic and physical qualities of water, Wendy Sacks makes photographs that speak of the complex nature of human relationships, both light and dark.
ARGENTINA: A nocturnal explorer who seeks to communicate the richness of everyday lives and the profound histories of ordinary people.
Art is not a thing;
it is a way.Elbert Hubbard
MEXICO: Dulce Pinzón creates latter-day visual fables that address real social issues: racial prejudice, low-paid workers, environmental damage.
USA: Kirk Crippens explores the tension between the American Dream of home and increasing precarity – gentrification, downsizing and foreclosure – but also the haven of the unorthodox.
VENEZUELA: Images evoking the powerful mythologies of the indigenous peoples of the southern Americas that emphasise the interdependence of humankind and Nature.
USA: Ellen Jantzen uses digital imaging processes to synthesise a visual language through which to evoke the existential conundrums of our place in Nature and the impermanence of life.
CANADA: Combining humour with cultural critique; history with psychology, Diana Thorneycroft constructs visual stories of the anxiety and contradiction embedded in the dark subsoil of Canadian national mythology.
ARGENTINA: An artist and inventor who builds cameras to capture both space and time: from brooding art deco architecture to mind-bending aerial imagery and the world’s longest continuous photographic negative.
USA: Few recent cultural initiatives have had more impact in the world of photography than Houston FotoFest, with its multi-layered approach to the medium as a means to an end and not just an end in itself.
GUATEMALA: Luis González Palma grew up during thirty years of civil war, but while his images evoke sadness, they neither sentimentalise nor do they counsel despair. Rather they affirm the transcendent nature of the human spirit.
BRAZIL: a festival pioneering the use of screen-based technologies to reach out from the metropolitan art institutions to connect with communities in the poorest districts of the urban margins: to engage, to educate and to empower.
Art enables us to find ourselves and lose ourselves at the same time.
Thomas Merton
ARGENTINA: One of the world’s longest running photographic festivals, Festival de la Luz it is both a celebration of photography as a means of enlightenment and an egalitarian meeting of diverse people and cultures.
USA: Repurposing their household possession to create a mandala or build a spaceship, Stephan Hillerbrand and Mary Magsamen use photography, video, performance and installation to explore the paradoxes of the American Dream.
ARGENTINA: Memories of the Dirty War starkly visualised by one of the survivors of the regime’s Clandestine Centres of Detention and Torture.
Art should comfort the disturbed and disturb the comfortable.
Cesar A. Cruz
URUGUAY: An artist, chemist, craftsman, essayist, poet, and teacher, who imbues photography with a newfound physical and philosophical dimension.
MEXICO: Stories of an irrepressible archaeology and exhausted modernism; of rampant urban expansion and sublime natural grandeur.
There is one thing the photograph must contain, the humanity of the moment.
Robert Frank
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