REPUBLIC OF KOREA: Creating a fluid and ambiguous aesthetic space between painting, sculpture and photography, Hyunmi Yoo challenges our understanding of the relationship between visual representation, ‘truth’ and ‘reality’.
REPUBLIC OF KOREA: Exploring the liminal space at the threshold of realty and simulation, original and replica, fact and fake.
MALAYSIA / SINGAPORE: Apparently whimsical images that critique community erasure in Malaysia and the re-wilding of a hyperreal city-state in lockdown.
CHINA: A fusion of theatre and photography that, with an eccentric magic, weaves together the light and dark of the human condition.
IRAN / AUSTRALIA: Poetically perceptive imagery that engages the layers of displacement, difference and marginality that define what it means to be ‘other’.
REPUBLIC OF KOREA: Constructing from the catalogue of British oil painting ironic self-portraits that situate the alienated Asian man in the midst of Britain’s aristocratic past.
REPUBLIC OF KOREA: Bohnchang Koo finds in the simplest of objects and surfaces a nuanced expression of traditional Korean values of humility, practicality and acceptance of the imperfect nature of being.
INTERNATIONAL: Impressions of Christmas and the New Year through the kaleidoscopic lens of artists from Asia, the Americas, Europe and Oceania.
LATIN AMERICA: Three Latino artists of Japanese heritage spend a month photographing in the Land of the Rising Sun. What will their images tell us about their identity?
LATINOAMÉRICA: Tres artistas latinoamericanos de origen japonés pasan un mes fotografiando la Tierra del Sol Naciente. ¿Qué nos dirán sus imágenes acerca de su identidad?
CHINA: Reflections on the meanings and value of family photo archives in traditional homes in Shanxi Province.
BANGLADESH: Asia’s longest-running photo festival, founded on a powerful vision of social justice and driven by a tenacious dynamism, it forms one arm of a tripartite structure including a news picture agency and a media school.
VIETNAM: Focusing on people at the margins of society, these relaxed domestic moments explore, without sensationalism, the intimate companionship that is a foundation of our shared human experience.
CAMBODIA: With a focus on discovery, education and sharing, this festival and workshop program provides a generous and egalitarian environment in which to learn new skills, exchange ideas and establish new friendships.
INDIA: Described as “the most entertaining artist-iconoclast of contemporary Indian art”, Pushpamala N’s pioneering and influential feminist–conceptual photographic performance works seek to subvert the dominant cultural and intellectual discourse in India.
THAILAND: With a focus on Asian documentary practice, this festival maintained its independence by building not only the event but also a new photography centre through the work and solidarity of photographers themselves.
BANGLADESH: A photographer with a strong social conscience and a deep concern for the welfare of the marginalised members of her society.
EDUCATIONAL RESOURCE: Talking Pictures features in-depth interviews with photographers and photo-festival directors around the world.
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