UNITED KINGDOM: A collaboration between identical twins drawing on the traditions of European folklore, Gothic Romance and Hollywood cinema, blending British whimsy with a darker psychological ambiguity that lends depth and complexity.
SWITZERLAND: Playing with the nature of visual perception, Dominique Teufen discovers the creative possibilities of the photocopier, photoflash, glossy photographic paper and grey paint.
BELGIUM: Visual poetry, nature photography and digital design come together in Catherine Nelson’s transcendent landscapes to evoke the complexity of ecological equilibrium.
ITALY: Spending extended periods with poor and itinerant families, Ciro Battiloro discovers, beneath the domestic discomfort and social neglect, a tenacious humanity and a love that turns “despair into delicate sweetness”.
GERMANY: Images that speak with quiet compassion of the impermanence that marks us out as human, and the dignity to be afforded to all, regardless of situation, apparent difference, or stage of life.
PORTUGAL: The long-running annual festival of photography in Braga takes a lively approach to integrating imagery and architecture, concept and conviviality that has sustained the engaging freshness that is the hallmark of event.
RUSSIA: A festival that engages the viewer in a rich visual dialogue made vibrant by its openhearted warmth, aesthetic vigour, and intelligent enthusiasm for the medium.
UNITED KINGDOM: Quintessentially British in their rigorous formality, these allegorical tableaux grow from the personal experience of an intergenerational life partnership condemned to the margins of ‘otherness’.
SWEDEN: A simple pinhole camera used to create images that evoke the primordial and the post-apocalyptic; a tension between humankind and the rest of nature.
UNITED KINGDOM: Whimsical, poignant, fantastical, dark… these family photos restage the complex nature of parenting and the domestic dynamic, from ageing and the shift in mutual dependence, to ultimate departure.
UNITED KINGDOM: A festival that celebrates its sense of place and community while engaging the leading edge of technological possibility and international innovation.
LITHUANIA: Set in the historical centre of Lithuanian economic, academic, and cultural life, KAUNAS PHOTO is a festival that sits at the intersection of tradition and innovation, all laced with a dash of humour.
ROMANIA: a community of homeless people come together to find companionship, shelter and a degree of mutual sustainability in a network of tunnels under the city of Bucharest.
UNITED KINGDOM: An exploration of Scotland’s cultural and historical figures through an innovative hybrid of photography, painting, sculpture and installation.
UKRAINE: Psychological dramas that play out the emotional interior of their protagonists: the aching desire to connect that can never be fully realised.
BELGIUM: The Belgian spirit of whimsical individuality found hiding in plain sight at the edge of suburbia.
GERMANY: Experiential space and resonant fragments of childhood memory brought to life in precise yet elusive detail.
FRANCE: As the old civilisation collapses generating crisis, illusion and corruption, the paradox of the real echoes through the imaginative lens of memory.
UNITED KINGDOM: Environmental portraiture exploring family ties across three generations in an area of high socio-economic deprivation.
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