AUSTRALIA: With a subtle insistence, Marian Drew’s still-life and light-painting images question how we might inhabit and share the natural world in a sustainable and equitable way.
AUSTRALIA: Japanese myth and sensual metaphor reflecting upon the ebb and flow of loves now unrequited.
AUSTRALIA: In a career spanning six decades, this celebrated aerial photographer has captured the magnificence of the Great Southern Continent.
POLAND / AUSTRALIA: Blending the chemistries of photography and vegetative decay to create hauntingly beautiful images exploring themes around memory, time, habitat, health, and inner contemplation.
AUSTRALIA: subtly disquieting images that evoke the artist’s youthful memories, unravelling the myth of childhood innocence.
AUSTRALIA: Images of conflict that avoid the explosive spectacle of war, to explore the lives of individuals caught up in events beyond their control.
INTERNATIONAL: Eleven artists reflect on what they learned during the pandemic, picking just one thing they would reimagine for the better in the future.
AUSTRALIA: Distinctive ways of being and knowing, experienced through a queer perspective on expanded photography.
VIDEO: marking 150 interviews published on Talking Pictures.
AUSTRALIA: Luminous yet elusive images that navigate the gulf between the world of the senses and the interior realm of the self.
AUSTRALIA / ICELAND: Haunting images of natural, urban, and industrial landscapes that rekindle a mythical past or spark ethical speculation about the future.
AUSTRALIA: Fables that are at once personal and universal, familial and public, recounting childhood perspicacity and adult frailty far the here and now.
LEBANON / AUSTRALIA: Dreamlike psychodramas that envision the émigré’s feelings of separation, longing and isolation.
AUSTRALIA: Challenging misconceptions around disability and making evident the violent abuse that can sometimes be its cause.
BOSNIA / AUSTRALIA: Darkly beautiful images that use alternative photographic processes to convey the ultimate ambiguity of life as experience.
AUSTRALIA: From the arid heat of central Australia to the windswept ice sheet of Greenland, powerful and austere images that push the very notion of landscape to its extreme.
AUSTRALIA: Figures from history and legend elegantly reconceived with the technology and sensibility of the present.
AUSTRALIA: Fantastical photographs suggesting a domestic magic brought into being by longing, obsession or childlike exuberance.
NEW ZEALAND: Images of ephemeral land-art projects that symbolise the interdependence of natural systems that connect us all in the web of life.
AUSTRALIA: A contemporary story-teller who combines photography and words to synthesis rich and complex narratives of family, community and sexuality.
NEW ZEALAND / AUSTRALIA: A visual storyteller exploring the interior world of the mind through the shared imagination of the community.
IRAN / AUSTRALIA: Poetically perceptive imagery that engages the layers of displacement, difference and marginality that define what it means to be ‘other’.
AUSTRALIA: Raucous, irreverently grandiose images that bring to mind the diverse traditions of William Hogarth’s 18th-century satirical etchings, 19th-century history painting and 20th-century cinema.
AUSTRALIA: Photographic tableaux that bring new life to the artefacts of historical and natural-history museums nationally and internationally.
AUSTRALIA: a remarkable synthesis of timeless Aboriginal wisdom and radically innovative printmaking that creates pictures of intense poetic beauty.
AUSTRALIA: An artist who uses generative computer software to autonomously breed art-works while he is sleeping.
AUSTRALIA: Alasdair Foster, a curator, researcher, and writer who draws on an array of experiences from around the world, offers his perspective on photography – and where it’s going next. Interview by Alexander Strecker.
INTERNATIONAL: Impressions of Christmas and the New Year through the kaleidoscopic lens of artists from Asia, the Americas, Europe and Oceania.
AUSTRALIA: A successful celebrity photographer discovers real inspiration nearer to home when he emigrates from London to make a new life in rural Western Australia.
NEW ZEALAND: Ilan Wittenberg’s extensive catalogue of Auckland men captures the uniqueness and imperfection that lays bare the inhumanity of commercially idealised masculinity.
AUSTRALIA: Rather than illustrating an idea, Christophe Canato’s images propose a paradox that animates questions around gender, sexuality and the transition from child to adult.
AUSTRALIA: The only Australian in the celebrated Magnum collective, Trent Parke’s work is acclaimed around the world for its innovation and originality.
AUSTRALIA: Pat Brassington exploits the legacies of Surrealism while subtly subverting those (primarily masculine) traditions with a clearly feminine and feminist inflection.
AUSTRALIA: David Stephenson’s photographs are about very big ideas: the endless Antarctic icecap; the vastness of the heavens; the great domes of European architecture, and the luminous excesses of the modern metropolis.
AUSTRALIA: An artist painting with light to create richly coloured and emotionally intensified images of the natural and human worlds.
AUSTRALIA: Photography, digital montage and embroidery combine in images that draw the viewer into the often-disquieting aesthetic of dreams.
NEW ZEALAND: Located on the rim of the Pacific, this is a festival of and by the people: stimulating creativity, encouraging participation, and celebrating the many and diverse expressions of human imagination.
AUSTRALIA: In a world that all too often seeks to segregate professionals from amateurs, celebrities from ordinary people, Head On provides an alternative based on mutual respect and a passion for photographic creativity.
AUSTRALIA: An unconventional approach to portraiture that subverts clichés and stereotypes to emphasise the value of real human relationships over fantasy or caricature.
AUSTRALIA: the stark reality of global warming given particular poignancy by an artist who identifies with the melting icebergs.
AUSTRALIA: Documenting the dysfunctional, the dispossessed, and the dogged hope that lingers amid the ashes of failure.
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