AUSTRALIA: Rather than illustrating an idea, Christophe Canato’s images propose a paradox that animates questions around gender, sexuality and the transition from child to adult.
AUSTRALIA: The only Australian in the celebrated Magnum collective, Trent Parke’s work is acclaimed around the world for its innovation and originality.
CANADA: Combining humour with cultural critique; history with psychology, Diana Thorneycroft constructs visual stories of the anxiety and contradiction embedded in the dark subsoil of Canadian national mythology.
REPUBLIC OF KOREA: Creating a fluid and ambiguous aesthetic space between painting, sculpture and photography, Hyunmi Yoo challenges our understanding of the relationship between visual representation, ‘truth’ and ‘reality’.
GUATEMALA: Luis González Palma’s grew up during thirty years of civil war, but while his images evoke sadness, they neither sentimentalise nor do they counsel despair. Rather they affirm the transcendent nature of the human spirit.
UNITED KINGDOM: Quintessentially British in their rigorous formality, these allegorical tableaux grow from the personal experience of an intergenerational life partnership condemned to the margins of ‘otherness’.
INDIA: Described as “the most entertaining artist-iconoclast of contemporary Indian art”, Pushpamala N’s pioneering and influential feminist–conceptual photographic performance works seek to subvert the dominant cultural and intellectual discourse in India.
BANGLADESH: A photographer with a strong social conscience and a deep concern for the welfare of the marginalised members of her society.
AUSTRALIA: An unconventional approach to portraiture that subverts clichés and stereotypes to emphasise the value of real human relationships over fantasy or caricature.
UNITED KINGDOM: An exploration of Scotland’s cultural and historical figures through an innovative hybrid of photography, painting, sculpture and installation.
BELGIUM: The Belgian spirit of whimsical individuality found hiding in plain sight at the edge of suburbia.