AUSTRALIA: A contemporary story-teller who combines photography and words to synthesis rich and complex narratives of family, community and sexuality.
USA / CANADA: A visual ethnographer, Dona Schwartz photographs expectant parents and empty-nesters marking those moments when each couple stands outside the gates of family life.
ROMANIA: a community of homeless people come together to find companionship, shelter and a degree of mutual sustainability in a network of tunnels under the city of Bucharest.
USA: Timeless portraits made in collaboration with the inmates of three penitentiaries in the northeast of Louisiana, the US state with the largest per capita prison population.
RUSSIA: Gently observed portraits of the people of Bryansk that touch on the mystery of everyday life.
REPUBLIC OF KOREA: Exploring the liminal space at the threshold of realty and simulation, original and replica, fact and fake.
ICELAND: Picturing the resilient lives and enduring landscapes of a small farming community in the East of Iceland caught between harsh reality and timeless myth.
UNITED KINGDOM: Four friends of the late Tim Hetherington discuss the work of this compassionate war photographer who sought to depict Big History through the lens of small history.
COLOMBIA: An artist using clay figures to tell the stories of real people – stories of homelessness and social invisibility.
SOUTH AFRICA: Capturing the spirit of a new creative generation, fighting for gender equality and exposing the continuing plight of the working poor.
BRAZIL: Evocative images of the rural and indigenous peoples of this vast country, captured by one of its most distinguished visual poets.
USA: Emerging from person crisis, these images unfold a domestic conversation around the paradox of family ties and the quest for redemption.
UNITED KINGDOM: Environmental portraiture exploring family ties across three generations in an area of high socio-economic deprivation.
UNITED KINGDOM: Portraits exploring the transition from child to adult as it is expressed through modes of dress, social behaviour and body image.
ITALY: Elena Givone uses photography and storytelling to help young refugees imagine a better future – images to inspire hope in the child and compassion in the viewer.
INTERNATIONAL: Impressions of Christmas and the New Year through the kaleidoscopic lens of artists from Asia, the Americas, Europe and Oceania.
LATIN AMERICA: Three Latino artists of Japanese heritage spend a month photographing in the Land of the Rising Sun. What will their images tell us about their identity?
LATINOAMÉRICA: Tres artistas latinoamericanos de origen japonés pasan un mes fotografiando la Tierra del Sol Naciente. ¿Qué nos dirán sus imágenes acerca de su identidad?
AUSTRALIA: A successful celebrity photographer discovers real inspiration nearer to home when he emigrates from London to make a new life in rural Western Australia.
NEW ZEALAND: Ilan Wittenberg’s extensive catalogue of Auckland men captures the uniqueness and imperfection that lays bare the inhumanity of commercially idealised masculinity.
ARGENTINA: A nocturnal explorer who seeks to communicate the richness of everyday lives and the profound histories of ordinary people.
AUSTRALIA: The only Australian in the celebrated Magnum collective, Trent Parke’s work is acclaimed around the world for its innovation and originality.
ITALY: Spending extended periods with poor and itinerant families, Ciro Battiloro discovers, beneath the domestic discomfort and social neglect, a tenacious humanity and a love that turns “despair into delicate sweetness”.
USA: Kirk Crippens explores the tension between the American Dream of home and increasing precarity – gentrification, downsizing and foreclosure – but also the haven of the unorthodox.
GERMANY: Images that speak with quiet compassion of the impermanence that marks us out as human, and the dignity to be afforded to all, regardless of situation, apparent difference, or stage of life.
USA: Few recent cultural initiatives have had more impact in the world of photography than Houston FotoFest, with its multi-layered approach to the medium as a means to an end and not just an end in itself.
BANGLADESH: Asia’s longest-running photo festival, founded on a powerful vision of social justice and driven by a tenacious dynamism, it forms one arm of a tripartite structure including a news picture agency and a media school.
RUSSIA: A festival that engages the viewer in a rich visual dialogue made vibrant by its openhearted warmth, aesthetic vigour, and intelligent enthusiasm for the medium.
VIETNAM: Focusing on people at the margins of society, these relaxed domestic moments explore, without sensationalism, the intimate companionship that is a foundation of our shared human experience.
CAMBODIA: With a focus on discovery, education and sharing, this festival and workshop program provides a generous and egalitarian environment in which to learn new skills, exchange ideas and establish new friendships.
AUSTRALIA: In a world that all too often seeks to segregate professionals from amateurs, celebrities from ordinary people, Head On provides an alternative based on mutual respect and a passion for photographic creativity.
THAILAND: With a focus on Asian documentary practice, this festival maintained its independence by building not only the event but also a new photography centre through the work and solidarity of photographers themselves.
ARGENTINA: One of the world’s longest running photographic festivals, Festival de la Luz it is both a celebration of photography as a means of enlightenment and an egalitarian meeting of diverse people and cultures.
BANGLADESH: A photographer with a strong social conscience and a deep concern for the welfare of the marginalised members of her society.
LITHUANIA: Set in the historical centre of Lithuanian economic, academic, and cultural life, KAUNAS PHOTO is a festival that sits at the intersection of tradition and innovation, all laced with a dash of humour.
AUSTRALIA: the stark reality of global warming given particular poignancy by an artist who identifies with the melting icebergs.
ARGENTINA: Memories of the Dirty War starkly visualised by one of the survivors of the regime’s Clandestine Centres of Detention and Torture.
AUSTRALIA: Documenting the dysfunctional, the dispossessed, and the dogged hope that lingers amid the ashes of failure.