AUSTRALIA: Photographic tableaux that bring new life to the artefacts of historical and natural-history museums nationally and internationally.
SOUTH AFRICA: With a unique visual signature, Roger Ballen’s existential psychodramas have maintained their uncompromising independence, vividly capturing the imagination of generations over five decades.
AUSTRALIA: An artist who uses generative computer software to autonomously breed art-works while he is sleeping.
REPUBLIC OF KOREA: Bohnchang Koo finds in the simplest of objects and surfaces a nuanced expression of traditional Korean values of humility, practicality and acceptance of the imperfect nature of being.
UNITED KINGDOM: A forensic examination of plants, zoological specimens, snail trails or nylon stockings that finds poetry in precision and unexpected grandeur in the mundane.
AUSTRALIA: With a subtle insistence, Marian Drew’s still-life and light-painting images question how we might inhabit and share the natural world in a sustainable and equitable way.
CHINA: Reflections on the meanings and value of family photo archives in traditional homes in Shanxi Province.
USA: Repurposing their household possession to create a mandala or build a spaceship, Stephan Hillerbrand and Mary Magsamen use photography, video, performance and installation to explore the paradoxes of the American Dream.
ARGENTINA: Memories of the Dirty War starkly visualised by one of the survivors of the regime’s Clandestine Centres of Detention and Torture.
URUGUAY: An artist, chemist, craftsman, essayist, poet, and teacher, who imbues photography with a newfound physical and philosophical dimension.