IRAN / AUSTRALIA: Poetically perceptive imagery that engages the layers of displacement, difference and marginality that define what it means to be ‘other’.
REPUBLIC OF KOREA: Constructing from the catalogue of British oil painting ironic self-portraits that situate the alienated Asian man in the midst of Britain’s aristocratic past.
SOUTH AFRICA: With a unique visual signature, Roger Ballen’s existential psychodramas have maintained their uncompromising independence, vividly capturing the imagination of generations over five decades.
GHANA: With few resources and no connections into the wider art-world, Nana Frimpong Oduro has developed a distinctive photo-art practice gaining recognition internationally.
ITALY: Spending extended periods with poor and itinerant families, Ciro Battiloro discovers, beneath the domestic discomfort and social neglect, a tenacious humanity and a love that turns “despair into delicate sweetness”.
BANGLADESH: Asia’s longest-running photo festival, founded on a powerful vision of social justice and driven by a tenacious dynamism, it forms one arm of a tripartite structure including a news picture agency and a media school.
VIETNAM: Focusing on people at the margins of society, these relaxed domestic moments explore, without sensationalism, the intimate companionship that is a foundation of our shared human experience.
ROMANIA: a community of homeless people come together to find companionship, shelter and a degree of mutual sustainability in a network of tunnels under the city of Bucharest.
URUGUAY: An artist, chemist, craftsman, essayist, poet, and teacher, who imbues photography with a newfound physical and philosophical dimension.
AUSTRALIA: Documenting the dysfunctional, the dispossessed, and the dogged hope that lingers amid the ashes of failure.
PERU: Art and Nature entangle the body in images that speak of the camouflage adopted by an outsider.