THAILAND: Scathing satirical tableaux critiquing the country’s turbulent socio-political scene, created by one of Southeast Asia’s leading artists.
Performance
CHINA / USA: Delicately ambiguous self-portraits exploring the tension between freedom and boundaries, self-reflection and self-discovery.
MEXICO: Named one of the top twenty talents worldwide by FOAM magazine, Diego Moreno’s monsters have much to show us about familial love and about domestic abuse.
AUSTRALIA: Fables that are at once personal and universal, familial and public, recounting childhood perspicacity and adult frailty far the here and now.
RUSSIA / USA: One man’s quest for a more nuanced way of being, teasing apart notions of morality from those of dogma, of identity from those of normality.
REPUBLIC OF KOREA: Satirical imagery that critiques the impact of colonialism in Korea and its enduring legacy of historical trauma.
LEBANON / AUSTRALIA: Dreamlike psychodramas that envision the émigré’s feelings of separation, longing and isolation.
UNITED KINGDOM: Conjuring the familial past and a satirical future through the evocative power of photographic masks.
CANADA / USA: Temporary sculptures created by balancing stones with nothing more than gravity to hold them together.
AUSTRALIA: A contemporary story-teller who combines photography and words to synthesis rich and complex narratives of family, community and sexuality.
NETHERLANDS: Portraits that speak to the entanglement of individual, interpersonal and collective identity, the mutability of the body, and the fluidity of being.
MEXICO: Obscure rituals that blend the contemporary with the timeless, the personal with the collective, to suggest imaginary states and real-world paradoxes.
USA: Timeless portraits made in collaboration with the inmates of three penitentiaries in the northeast of Louisiana, the US state with the largest per capita prison population.
PERU: Art and Nature entangle the body in images that speak of the camouflage adopted by an outsider.
FRANCE: For Denis Darzacq, the body is an instrument of social critique with which to explore the constraints and barriers suffered by people marginalised by materialist society.
AUSTRALIA: Raucous, irreverently grandiose images that bring to mind the diverse traditions of William Hogarth’s 18th-century satirical etchings, 19th-century history painting and 20th-century cinema.
REPUBLIC OF KOREA: Constructing from the catalogue of British oil painting ironic self-portraits that situate the alienated Asian man in the midst of Britain’s aristocratic past.
GHANA: With few resources and no connections into the wider art-world, Nana Frimpong Oduro has developed a distinctive photo-art practice gaining recognition internationally.
NETHERLANDS: Knighted by the Dutch Government, Erwin Olaf has earned a world-wide reputation for his immaculately choreographed tableaux that subtly suggest the ultimate uncertainty of being.
UNITED KINGDOM: A collaboration between identical twins drawing on the traditions of European folklore, Gothic Romance and Hollywood cinema, blending British whimsy with a darker psychological ambiguity that lends depth and complexity.
MEXICO: Dulce Pinzón creates latter-day visual fables that address real social issues: racial prejudice, low-paid workers, environmental damage.
AUSTRALIA: An artist painting with light to create richly coloured and emotionally intensified images of the natural and human worlds.
UNITED KINGDOM: Quintessentially British in their rigorous formality, these allegorical tableaux grow from the personal experience of an intergenerational life partnership condemned to the margins of ‘otherness’.
INDIA: Described as “the most entertaining artist-iconoclast of contemporary Indian art”, Pushpamala N’s pioneering and influential feminist–conceptual photographic performance works seek to subvert the dominant cultural and intellectual discourse in India.
SWEDEN: A simple pinhole camera used to create images that evoke the primordial and the post-apocalyptic; a tension between humankind and the rest of nature.
USA: Repurposing their household possession to create a mandala or build a spaceship, Stephan Hillerbrand and Mary Magsamen use photography, video, performance and installation to explore the paradoxes of the American Dream.