IRAN / UK: Interlacing archival imagery to suggest the complex interplay of culture and context across time.
Portraiture
BANGLADESH: A photographer with a strong social conscience and a deep concern for the welfare of the marginalised members of her society.
GUATEMALA: Luis González Palma grew up during thirty years of civil war, but while his images evoke sadness, they neither sentimentalise nor do they counsel despair. Rather they affirm the transcendent nature of the human spirit.
CHINA: breaking with Chinese art traditions that eschew the nude, performative images that express the importance of trust, empathy, and personal authenticity.
CONGO: Eccentric, impromptu performances set in the warlord-controlled villages of the Democratic Republic of Congo that challenge the established conventions of humanitarian representation.
VIETNAM: Focusing on people at the margins of society, these relaxed domestic moments explore, without sensationalism, the intimate companionship that is a foundation of our shared human experience.
AUSTRALIA: Images of conflict that avoid the explosive spectacle of war, to explore the lives of individuals caught up in events beyond their control.
JAPAN: The photo-booth, the class portrait, the high-street studio, the job-applicant’s mugshot… hundreds of photographs and beneath them a single artist–model.
UNITED KINGDOM: Whimsical, poignant, fantastical, dark… these family photos restage the complex nature of parenting and the domestic dynamic, from ageing and the shift in mutual dependence, to ultimate departure.
CHINA: Youthful Asian women and men engage in the conscious but unselfconscious presentation of self within a milieu of open intimacy.
ESTONIA / AFRICA: Images of love and loss delicately exploring the essential mystery of human interconnection.
UNITED KINGDOM: an insider’s sensitive depiction of a group of south London fighters who find self-discipline, confidence, and connectedness through martial arts.
CANADA: Personal and historical trauma inspire a creative practice unafraid of the twilight world of the unconscious that lies beneath the veneer of rational civilisation.
USA: Spanning two decades, a mother and daughter explore the deep connection between people and their animal companions.
USA: Pulitzer-prize-winner Renée C Byer reveals how photography and journalism used together can catalyse action in the face of escalating inequality at home and abroad.
CANADA: a satirical retelling of familiar stories as Disney princesses, deities, and US presidents tumble into the real world like Alice in reverse.
CHINA / USA: Delicately ambiguous self-portraits exploring the tension between freedom and boundaries, self-reflection and self-discovery.
USA: A mother’s delicate reflections on masculinity within the everyday intimacy of family life as boys become men and men become middle-aged.
ARGENTINA: La sensibilidad de la pintura y las técnicas de la fotografía se conjugan para crear un realismo mágico irónico pero extrañamente familiar.
ARGENTINA: The sensibilities of painting and the techniques of photography blend to create an ironic but strangely familiar magic realism.
CANADA: With well over 100,000 images and millions of possible interconnections, Luminous-Lint offers a near-infinite range of ways to pursue the study of photographic history.
UNITED KINGDOM: Going beyond the clichés and prejudices about homelessness by facilitating each participant to create their own self-portrait.
ISRAEL: An exploration of the equivocal transition from child to adult in portraits of adolescents in Ukraine, Russia and Spain.
AUSTRALIA: Challenging misconceptions around disability and making evident the violent abuse that can sometimes be its cause.
GERMANY: The uncanny and the documentary synergise as temporal and dimensional shifts reveal a prescient vision in the context of current events.
CHINA: Documentary images highlighting communities that, while they may seem outside of the mainstream in China, are in fact simply some of its constituents.
MEXICO: The fluidity of domestic intimacy explored through the lens of childhood imagination and transformational community ritual.
INTERNATIONAL: Nine photographic artists from across five continents reflect on what motivates them to create photographs.
AUSTRALIA: Figures from history and legend elegantly reconceived with the technology and sensibility of the present.
AUSTRALIA: A contemporary story-teller who combines photography and words to synthesis rich and complex narratives of family, community and sexuality.
USA / CANADA: A visual ethnographer, Dona Schwartz photographs expectant parents and empty-nesters marking those moments when each couple stands outside the gates of family life.
NETHERLANDS: Portraits that speak to the entanglement of individual, interpersonal and collective identity, the mutability of the body, and the fluidity of being.
USA: Timeless portraits made in collaboration with the inmates of three penitentiaries in the northeast of Louisiana, the US state with the largest per capita prison population.
RUSSIA: Gently observed portraits of the people of Bryansk that touch on the mystery of everyday life.
BELGIUM: Contemporary images that evoke the past while looking to the future.
UKRAINE: Psychological dramas that play out the emotional interior of their protagonists: the aching desire to connect that can never be fully realised.
GERMANY: Reworking the traditional contact sheet on a grand scale, Thomas Kellner makes architecture dance.
ICELAND: Picturing the resilient lives and enduring landscapes of a small farming community in the East of Iceland caught between harsh reality and timeless myth.
CHINA: A fusion of theatre and photography that, with an eccentric magic, weaves together the light and dark of the human condition.
UNITED KINGDOM: Four friends of the late Tim Hetherington discuss the work of this compassionate war photographer who sought to depict Big History through the lens of small history.
SOUTH AFRICA: Capturing the spirit of a new creative generation, fighting for gender equality and exposing the continuing plight of the working poor.
BRAZIL: Evocative images of the rural and indigenous peoples of this vast country, captured by one of its most distinguished visual poets.
USA: Emerging from person crisis, these images unfold a domestic conversation around the paradox of family ties and the quest for redemption.
UNITED KINGDOM: Environmental portraiture exploring family ties across three generations in an area of high socio-economic deprivation.
GHANA: With few resources and no connections into the wider art-world, Nana Frimpong Oduro has developed a distinctive photo-art practice gaining recognition internationally.
UNITED KINGDOM: Portraits exploring the transition from child to adult as it is expressed through modes of dress, social behaviour and body image.
ITALY: Elena Givone uses photography and storytelling to help young refugees imagine a better future – images to inspire hope in the child and compassion in the viewer.
NEW ZEALAND: Ilan Wittenberg’s extensive catalogue of Auckland men captures the uniqueness and imperfection that lays bare the inhumanity of commercially idealised masculinity.
CHINA: Reflections on the meanings and value of family photo archives in traditional homes in Shanxi Province.
MEXICO: Dulce Pinzón creates latter-day visual fables that address real social issues: racial prejudice, low-paid workers, environmental damage.
USA: Kirk Crippens explores the tension between the American Dream of home and increasing precarity – gentrification, downsizing and foreclosure – but also the haven of the unorthodox.
VENEZUELA: Images evoking the powerful mythologies of the indigenous peoples of the southern Americas that emphasise the interdependence of humankind and Nature.
GERMANY: Images that speak with quiet compassion of the impermanence that marks us out as human, and the dignity to be afforded to all, regardless of situation, apparent difference, or stage of life.
AUSTRALIA: An artist painting with light to create richly coloured and emotionally intensified images of the natural and human worlds.
AUSTRALIA: In a world that all too often seeks to segregate professionals from amateurs, celebrities from ordinary people, Head On provides an alternative based on mutual respect and a passion for photographic creativity.
AUSTRALIA: An unconventional approach to portraiture that subverts clichés and stereotypes to emphasise the value of real human relationships over fantasy or caricature.
AUSTRALIA: the stark reality of global warming given particular poignancy by an artist who identifies with the melting icebergs.
UNITED KINGDOM: An exploration of Scotland’s cultural and historical figures through an innovative hybrid of photography, painting, sculpture and installation.